In 1927, Viennese director Josef von Sternberg-- later famous for his Marlene Dietrich-inspired masterworks-- set a new standard for silent film, exploring the dark world of the American gangster. Underworld’s chiaroscuro narrative revolves around a capricious Capone-like character, Bull Weed, documenting his dubious activities at a suspenseful pace. The detail-heavy plot thickens to a vengeful boil that threatens to consume Rolls Royce (Weed’s erudite right hand), Feathers (his heavily made-up moll), and Buck Mulligan (his bitter rival). While it’s seeping with possibly dated sentimentality, the effect of the film’s general tough-guy tone, shoot-first-ask-later action, and enthused names lasts to this day.
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