During its 35-minute runtime, Blow Job's camera loiters on the contorting expressions of a fellow receiving the titular act. Kiss is less salacious, training itself on various couples macking for three minutes — a nod to the old Hayes Code no-no of touching lips for more than three seconds. These Andy Warhol experiments in duration and observation receive live electronic scores tonight as part of the Unsound Festival's series dedicated to the pop icon. Detroit's Carl Craig synthesizes a new accompaniment for Blow Job while German duo nsi. redo Kiss.
03 February 2010
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